Song for Haddo 2 builds on the success of the first Song for Haddo project. Professional musicians from McOpera return to work with local primary schools and string players from the three Academies (Ellon, Inverurie and Meldrum) to learn, rehearse and then perform during the Festival a selection of the new Friday Afternoon Songs written by this year’s Friday Afternoons composer, Errollyn Wallen, the original Song for Haddo, a piece for strings and a new composition, working title Second Song for Haddo.
Vocal coach Andy McTaggart and a pianist will visit 6 primary schools to teach some Errollyn Wallen songs plus others, working for a half day in each primary school. Meanwhile, McOpera’s musicians will work with secondary school string players on string orchestrations of the Friday Afternoon Songs and one other string ensemble piece. These two elements will come together in the final rehearsal and performance at Haddo.
We are delighted to welcome the 2018 Friday Afternoon Song composer, Errollyn Wallen, who will join the children and McOpera for the final rehearsals and performance in what is sure to be another magical musical experience at Haddo.
Errollyn Wallen – ‘renaissance woman of contemporary British music’ (The Observer) – is as respected a singer-songwriter of pop influenced songs as she is a composer of contemporary new music. Communication is at the centre of both worlds: engaging the audience, speaking directly to hearts and minds.
Born in Belize, Errollyn Wallen gave up her training at the Dance Theater of Harlem, New York to study composition at the universities of London and Cambridge. She founded her own Ensemble X, and its motto ’We don’t break down barriers in music… we don’t see any’ reflects her genuine, free-spirited approach and eclectic musicianship. She has been commissioned by outstanding music institutions from the BBC to the Royal Opera House and perfomed her songs internationally.
Errollyn Wallen’s song Daedalus appears alongside songs by Björk, Sting, Elvis Costello and Meredith Monk on the Brodsky Quartet’s CD Moodswings. The two solo albums Meet Me at Harold Moores and most recently Errollyn feature her songs in her own voice/piano performance and in collaboration with outstanding jazz artists. Her multi-media show Jordan Town, a modern day song cycle with dance and film, was a sell-out hit at the Edinburgh Festival. The Errollyn Wallen Songbook, published by Edition Peters, comprises twelve of her celebrated songs for voice with piano accompaniment.
Errollyn Wallen’s quality as a writer for the human voice becomes also apparent in her more classical vocal works: Are You Worried About the Rising Cost of Funerals is a song cycle for soprano and string quartet commissioned by the Birmingham Contemporary Music Group and recorded on her classical solo album The Girl in My Alphabet which received rave reviews at its release; Fairy Scary comprises song settings of fairy stories for voice and small instrumental ensemble and was commissioned by the Wigmore Hall; the Dunedin Consort commissioned and world-premièred Comfort Me with Apples for soloists and instrumental ensemble with words from The Song of Songs in September 2006.
Other chamber works include a quintet for flute and string quartet All the Blues I See premièred by Emily Beynon and the Brodsky Quartet, Romeo Turn for viola, cello and double bass, Dervish for cello and piano, and a series of piano duets and piano solo pieces, Errollyn Wallen’s very own instrument. The Schubert Ensemble commissioned and premièred Music for Tigers, a piano quintet, in October 2006.
The operatic project Another America is an exploration into the black condition, past, present and future: The Royal Opera House and Nitro commissioned Another America: Earth, premièred the opera in November 2003 at the Linbury Theatre and revived the piece in 2005, including a BBC television broadcast; Another America: Fire was commissioned by Push and first seen at Sadler’s Wells in September 2004; Another America: Air was commissioned by the Abbotsholme Arts Society and first performed by Nicholas Mulroy and John Reid in 2009.
Errollyn Wallen’s opera The Silent Twins, about the love-hate relationship of black twin girls, was commissioned by Almeida Opera and first performed in July 2007. It is based on real live events as depicted in the book by Marjorie Wallace and was composed on a libretto by the acclaimed playwright April de Angelis. Other stage works include the ballet Horseplay which was commissioned and choreographed by Tom Sapsford for the Royal Ballet. Horseplay is also used in a new ballet, Tempest choreographed by James Bailey which was first performed by Leipzig Ballet in April 2007; for this occasion Leipzig Ballet commissioned a one orchestra version of Spirit Symphony to form part of the music for this dance piece. Errollyn Wallen and Scanner were the composers for the score of choreographer Shobana Jeyasingh’s Faultline which has been touring internationally since its premiere and is on the GCSE Dance syllabus.
When the Wet Wind Sings, a choral work for 40 voices, was premièred by the Tallis Scholars in 2003 alongside Tallis’ Spem in Alium, the work that inspired it. A maritime theme can also be found in Errollyn Wallen’s choral commission from BBC Radio 3, Our English Heart, a cantata to mark the 200th anniversary of Trafalgar Day and the death of Admiral Lord Nelson; the piece was first performed in Portsmouth Cathedral on 21 October 2005 by the joint forces of Catherine Bott (soprano), the male voices of the BBC Singers, and the BBC Concert Orchestra, conducted by Stephen Cleobury.
The BBC has also been involved in the commissioning of some of Errollyn Wallen‘s most popular orchestral works: Colin Currie premièred her Concerto for Percussion and Orchestra for the Young Musician of the Year Award in 1994. This work was selected by the British Council to represent the UK in the opening concert of the Cervantino Festival in Mexico in October 2006 where it received a rapturous reception. Spirit Symphony – Speed-Dating for Two Orchestras was first performed at the final event of the ‘Listen up!’ Festival at the Royal Festival Hall in November 2004 and won the 2005 British Composer Awards in the BBC Radio 3 Listeners’ Award category. The Philharmonia Orchestra conducted by Martyn Brabbins premièred Mighty River, an orchestral work to commemorate the 200th anniversary of the Abolition of Slavery, in February 2007 at Holy Trinity Church, Clapham.
The Orchestra of the Swan commissioned Errollyn Wallen’s Photography for string orchestra which was premièred in March 2006 and toured the UK widely. The group continued its association with Errollyn Wallen by appointing her Composer in Association and commissioning a new Cello Concerto premièred by Matthew Sharp in January 2008, as well as a Concerto Grosso for piano, violin, double bass soloists and strings premièred in June 2008. Carbon 12: A Choral Symphony, a 50 minute oratorio about South Wales commissioned by Welsh National Opera for large orchestral and vocal forces, with a libretto by John Binias, was premièred (conducted by Carlo Rizzi) at the Welsh Millennium Centre, Cardiff, in June 2008 with a subsequent tour.
Her film Falling (made with Dan Farberoff) was broadcast on Australian ABC television and Channel 4 in 2009. Her hit opera for children, Caautionary Tales was commissioned by Opera North for 2011, touring in 2012. YES was the groundbreaking opera commissioned by the Royal Opera House in 2011 with a libretto by Bonnie Greer. Her original music for the 2012 BBC drama One Night won the 2013 FIPA d’Or for Best Original Music in a Television Series. Her works Principia and Spirit in Motion were commissioned for the opening ceremony of the 2012 Paralympic Games and their première was watched by a capacity audience of 80,000 people and broadcast to a billion people around the world. Current projects include a collaboration with David Pountney and a new work for Welsh National Opera to be premiered in 2014.
Errollyn Wallen was awarded an MBE for her services to music in the Queen’s birthday honours list in June 2007.
A graduate of the Royal Conservatoire of Music in Glasgow and a Scottish Opera Robertson Trust Emerging Artist during the 2012/13 season, Andrew is an established singer on the Scottish circuit and is widely in demand. He regularly performs solo roles with Scottish Opera, English National Opera, Clonter Opera, and Opera Bohemia for whom he has just sung the role of Falstaff, and in concert most recently to acclaimed reviews in the Edinburgh Internal Festival 2018. In September, Andrew will premiere the role of The Traveller in the Lammermuir Festival’s production of An Cadal Trom.
He is a choral conductor, passionate about seeing choral singing strengthened throughout Scotland. He studied conducting whilst at the Royal Conservatoire of Scotland with Alasdair Mitchell and Michael Bawtree. He has worked alongside Ilan Volkof with the BBC Scottish Symphony Orchestra, Christopher Bell and the National Youth Choir of Scotland and also with James MacMillan, Glasgow Male Voice Choir and The Roslin Ensemble.
Andrew is the Co-director of a new chamber choir in Scotland called Caledonian Voices and was the Musical Director of Troon Chorus from August 2005 to April 2012. After spending Easter 2010 as Assistant in training to Christopher Bell, he was appointed the co-director of East Renfrewshire Boys Choir during its first year and is the Conductor of the Junior Corps of the National Youth Choir of Scotland’s Boys Choir. Future engagements include concerts with Caledonian Voices and as chorus master to James MacMillan and the Cumnock Tryst.
Andrew started teaching whilst studying at the Royal Conservatoire of Scotland with Mary Troup on the Community Music Course where he now mentors students currently studying on the course. He is the Co-Director of Little Larks, a company devised to bridge social gaps through inclusive music experiences. In 2009, their Ocean Journey project gained a 5 star review with Michael Tummelty saying, “The day belonged to the children for their mind-blowing performance. It made this veteran cry”. He continues to work with Little Larks though getting ready to re-launch the company in 2015. Andrew spent two years as the Royal Scottish National Orchestra’s Monster Music concerts as the writer and presenter.
Thursday 11th October 2018 6:00 pm
Doors open at 5:30pm.
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Please note that no tickets will be sold on the door for this event. All tickets must be booked in advance.
Venue: Haddo House Hall